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    <title>Influx Insights Weblog</title>
    <link>http://www.influxinsights.com/blog/</link>
    <description />
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        <rdf:li resource="http://www.influxinsights.com/blog/article/2359/the-anti-label-fashion-label.html" />
        <rdf:li resource="http://www.influxinsights.com/blog/article/2351/what-brands-can-learn-from-mission-street-food.html" />
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        <rdf:li resource="http://www.influxinsights.com/blog/article/2201/making-twitter-integral-to-your-business-model.html" />
        <rdf:li resource="http://www.influxinsights.com/blog/article/1874/the-brits-and-american-culture.html" />
        <rdf:li resource="http://www.influxinsights.com/blog/article/1736/no-boundaries-for-acne.html" />
        <rdf:li resource="http://www.influxinsights.com/blog/article/1701/knowledge-is-power.html" />
        <rdf:li resource="http://www.influxinsights.com/blog/article/1694/zune-can-t-buy-cool.html" />
        <rdf:li resource="http://www.influxinsights.com/blog/article/1638/influx-quote-of-the-day--mark-parker-ceo-nike.html" />
        <rdf:li resource="http://www.influxinsights.com/blog/article/1497/is-you-next-ad-about-to-be-turned-into-a-product-.html" />
        <rdf:li resource="http://www.influxinsights.com/blog/article/1285/the-new-yorker-picks-up-on-parkour.html" />
        <rdf:li resource="http://www.influxinsights.com/blog/article/1165/rethinking-gladwell-s-model-of-influence.html" />
        <rdf:li resource="http://www.influxinsights.com/blog/article/1155/the-new-generation-gap--communication-and-persona.html" />
        <rdf:li resource="http://www.influxinsights.com/blog/article/1098/take-a-cultural-tour--it-could-save-your-job.html" />
        <rdf:li resource="http://www.influxinsights.com/blog/article/1071/recent-stories-on-emerging-trends.html" />
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    <dc:date>2010-03-22T07:16:04Z</dc:date>
  </channel>
  <item rdf:about="http://www.influxinsights.com/blog/article/2359/the-anti-label-fashion-label.html">
    <title>the anti-label fashion label</title>
    <link>http://www.influxinsights.com/blog/article/2359/the-anti-label-fashion-label.html</link>
    <description>&lt;i&gt;&lt;b&gt;"Well, let&amp;#8217;s be practical. The company is still &lt;i&gt;Freshjive&lt;/i&gt;. It&amp;#8217;s
just that none of our product will have any of our logos or even our
name AT ALL. Not even in the labels. And after the turn of the year, no
promotional material, nor our website will have any logos. It&amp;#8217;s really
invigorating to approach designing a line WITHOUT the constrictions of
how the logo is gonna be placed or used on the garments."&lt;/b&gt;&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;a target="_blank" href="http://www.thehundreds.com/wordpress/?p=11485"&gt;The Hundreds&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;a target="_blank" href="http://www.psfk.com/"&gt;Via PSFK&lt;/a&gt;&lt;br&gt;&lt;br&gt;Now is not the time to flaunt and display your logo.&lt;br&gt;&lt;br&gt;What's next, the demise of the car badge?&lt;br&gt;&lt;br&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/P41F4DT9IDs&amp;amp;hl=en&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/P41F4DT9IDs&amp;amp;hl=en&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/object&gt;&lt;br&gt;&lt;br&gt;Posted by Ed Cotton</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2009-08-12T11:44:51Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/2351/what-brands-can-learn-from-mission-street-food.html">
    <title>what brands can learn from mission street food</title>
    <link>http://www.influxinsights.com/blog/article/2351/what-brands-can-learn-from-mission-street-food.html</link>
    <description>&lt;a target="_blank" href="http://blog.missionstreetfood.com/"&gt;Mission Street Food&lt;/a&gt;&lt;b&gt; &lt;/b&gt;is a pop-up restaurant concept located in The Mission neighborhood of San Francisco. &lt;br&gt;&lt;br&gt;&lt;a target="_blank" href="http://www.flickr.com/photos/edcotton/3782962340/" title="Mission Street Food by ed100, on Flickr"&gt;&lt;img src="http://farm4.static.flickr.com/3529/3782962340_d3760efbb4.jpg" alt="Mission Street Food" height="500" width="375"&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;For the last six months, it's been the talk of the town and &lt;a target="_blank" href="http://www.npr.org/templates/story/story.php?storyId=101794912"&gt;way beyond&lt;/a&gt;, because it shows an almost telepathic understanding of what the twenty-something crowd is looking for from food right now.&lt;br&gt;&lt;br&gt;&lt;b&gt;Here's how it works.&lt;/b&gt;&lt;br&gt;&lt;br&gt;MSF "leases" a Chinese restaurant on Mission Street for two nights of the week and invites guest chefs to come in and create menus and prepare meals. &lt;br&gt;&lt;b&gt;&lt;br&gt;What Can Brands Learn from MSF?&lt;/b&gt;&lt;br&gt;&lt;b&gt;&lt;br&gt;1. The Power of Surprise&lt;/b&gt;&lt;br&gt;&lt;br&gt;MSF is based on a pretty smart assumption, people like to try new restaurants all the time, which makes it hard for a single concept to gain traction and gain a group of loyal customers. In a world of hyper-instant gratification, people are constantly demanding for and seeking out the new. &lt;br&gt;&lt;br&gt;How does your brand surprise its audience?&lt;br&gt;What are you doing to prevent brand fatigue?&lt;br&gt;&lt;br&gt;&lt;b&gt;2. Partnerships and Collaboration&lt;/b&gt;&lt;br&gt;&lt;br&gt;MSF partners with a Chinese restaurant to host the events, it gets access to its kitchens and staff and it also partners with guest chefs every night. MSF is really a facilitator to the process. &lt;br&gt;&lt;br&gt;Who is your brand collaborating with to add value?&lt;br&gt;&lt;br&gt;&lt;b&gt;3. Understanding the Audience&lt;/b&gt;&lt;br&gt;&lt;br&gt;MSF gets who it's audience is and what they want. They know this is an audience that is easily bored and is looking for culinary surprises. They know they are prepared to trade off ambience for food quality. &lt;br&gt;&lt;br&gt;Does your brand know its audience?&lt;br&gt;Do you know what they are looking for from you now?&lt;br&gt;&lt;br&gt;&lt;b&gt;4. The Concept of Value&lt;/b&gt;&lt;br&gt;&lt;br&gt;MSF gets value right. This is of course not about low prices, but instead the combination of price and quality. The interesting items on the menu are priced perfectly to acknowledge the audiences understanding of value. There's no sense you are paying for the priviledge of eating there.&lt;br&gt;&lt;br&gt;Does your brand have its pricing right?&lt;br&gt;Do you know what people are prepared to pay?&lt;br&gt;Do you have value add and do you know what it's worth?&amp;nbsp; &lt;br&gt;&lt;br&gt;&lt;span style="font-weight: bold;"&gt;5. Giving Back&lt;/span&gt;&lt;br&gt;&lt;br&gt;MSF gives back profits to local organizations and non-profits giving diners another reason to eat.&lt;br&gt;&lt;br&gt;What is your brand giving back?&lt;br&gt;How are your causes tied to your brand?&lt;br&gt;How open are you about your contributions?&lt;br&gt;&lt;br&gt;&lt;span style="font-weight: bold;"&gt;6. A Story&lt;/span&gt;&lt;br&gt;&lt;br&gt;MSF has enough layers to build a great narrative including &lt;a target="_blank" href="http://sfist.com/2008/10/02/bar_tartines_anthony_myint_serves_u.php"&gt;its original incarnation as a taco truck. &lt;/a&gt;&lt;br&gt;&lt;br&gt;What's your story?&lt;br&gt;How do you share it?&lt;br&gt;How are you building on it?&lt;br&gt;&lt;br&gt;&lt;br&gt;Posted by Ed Cotton</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2009-08-02T15:36:17Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/2346/can-nokia-win-with-openness-.html">
    <title>can nokia win with openness?</title>
    <link>http://www.influxinsights.com/blog/article/2346/can-nokia-win-with-openness-.html</link>
    <description>&lt;b&gt;Nokia&lt;/b&gt; is trying hard to be seen as an open organization. &lt;a target="_blank" href="http://conversations.nokia.com/2009/07/17/peek-behind-the-curtain-of-nokias-design-studio-in-london/"&gt;This website is a good example of a company that's opening its people and process up for public view.&lt;/a&gt; If you happen to be interested in working for the company, a huge fan of Nokia or work in a related field, this can be good stuff to see. In essence, it's material for a very limited core audience. &lt;br&gt;&lt;br&gt;Nokia is a really smart organization which has become truly global by listening to user needs especially in the developing world, but it's in trouble. &lt;br&gt;&lt;br&gt;It's nice to tick the box in the C21st marketing text book and make some effort to be open, but if it doesn't drive business success, then it's simply a nice to have.&lt;br&gt;&lt;br&gt;Can Nokia turn its openness into something more powerful?&lt;br&gt;&lt;br&gt;It's certainly one area that they lead Apple, a company that's widely recognized as being controlling and secretive. &lt;br&gt;&lt;br&gt;However, Nokia needs to turn its openness trait into something more powerful. &lt;br&gt;&lt;br&gt;Could &lt;b&gt;Active Openness&lt;/b&gt; help Nokia to become the "people's phone company" &lt;br&gt;&lt;br&gt;By listening more and opening up more it could seize some advantage, but it needs to make this openness bigger, more active and more broadcast worthy. Simply seeing what Nokia employees are doing is no good if you can't interact. Also, if you don't having a rich understanding of the potential of mobile technology, it limits your ability to participate. &lt;br&gt;&lt;br&gt;Nokia can do one thing that Apple can't, it can educate and invite a global audience inside its company. It can embrace the whole idea of openness and invite all kinds of audiences to help make a truly mobile life a reality for the globe. &lt;br&gt;&lt;br&gt;While Apple will continue to control and dictate, Nokia has the opportunity to provide an alternative point view, one that's powered by a broad community who are working together with the corporation. &lt;br&gt;&lt;br&gt;Nokia has a real chance to bring the idea of openness to broad media and encourage two way dialog, debate and discussion about the future of mobility. &lt;br&gt;&lt;br&gt;Of course, it's obvious Nokia needs killer products, but &lt;b&gt;Active Openness&lt;/b&gt; could help them engage. &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Posted by Ed Cotton</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2009-07-20T17:38:52Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/2201/making-twitter-integral-to-your-business-model.html">
    <title>making twitter integral to your business model</title>
    <link>http://www.influxinsights.com/blog/article/2201/making-twitter-integral-to-your-business-model.html</link>
    <description>&lt;a target="_blank" href="http://springwise.com/food_beverage/kogibbq/"&gt;Springwise &lt;/a&gt;has a great example of a new company that's made Twitter integral to its business model. &lt;a target="_blank" href="http://kogibbq.com/"&gt;Kogi Korean BBQ&lt;/a&gt; is a food van that travels around LA serving an interesting hybrid- Korean BBQ served in Mexican style tacos. The twist here is that to find out where the van is going to be, you have to follow Kogi on Twitter.&lt;br&gt;&lt;br&gt;While Twitter has been dismissed by many as a passing fad that just creates a stream of useless information, others like Kogi and Wesabe are embracing its power and fusing it into their business models. &lt;br&gt;&lt;br&gt;The other smart idea about Kogi is how it embraces the low overhead model for a restaurant start-up; using a mobile van, instead of a costly space to build a following and a nice size business. &lt;br&gt;&lt;a target="_blank" href="http://blog.missionstreetfood.com/"&gt;&lt;br&gt;Mission Street Food&lt;/a&gt; is doing something similar in San Francisco, by renting space in a Chinese restaurant for a couple of nights a week. &lt;br&gt;&lt;br&gt;&lt;br&gt;Posted by Ed Cotton</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2009-03-08T10:49:08Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/1874/the-brits-and-american-culture.html">
    <title>the brits and american culture</title>
    <link>http://www.influxinsights.com/blog/article/1874/the-brits-and-american-culture.html</link>
    <description>&lt;b&gt;&lt;i&gt;"Grand Theft Auto IV is such a simultaneously adoring and insightful
take on modern America that it almost had to come from somewhere else.
&lt;br&gt;&lt;br&gt;The game&amp;#8217;s main production studio is in Edinburgh, and Rockstar&amp;#8217;s
leaders, the brothers Dan and Sam Houser, are British expatriates who
moved to New York to indulge their fascination with urban American
culture. &lt;br&gt;&lt;br&gt;Their success places them firmly among the distinguished cast
of Britons from &lt;a target="_blank" href="http://topics.nytimes.com/top/reference/timestopics/people/j/mick_jagger/index.html?inline=nyt-per" title="More articles about Mick Jagger"&gt;Mick Jagger&lt;/a&gt; and Keith Richards through &lt;a target="_blank" href="http://topics.nytimes.com/top/reference/timestopics/people/b/tina_brown/index.html?inline=nyt-per" title="More articles about Tina Brown."&gt;Tina Brown&lt;/a&gt;
who have flourished by identifying key elements of American culture,
repackaging them for mass consumption and selling them back at a markup."&lt;/i&gt;&lt;/b&gt;&lt;br&gt;&lt;a target="_blank" href="http://www.nytimes.com/2008/04/28/arts/28auto.html?ref=technology"&gt;&lt;br&gt;NYT&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Posted by Ed Cotton</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2008-04-28T17:17:40Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/1736/no-boundaries-for-acne.html">
    <title>no boundaries for acne</title>
    <link>http://www.influxinsights.com/blog/article/1736/no-boundaries-for-acne.html</link>
    <description>Sweden is a country that&amp;#8217;s been on everyone&amp;#8217;s agenda for the past few years. &lt;br&gt;&lt;br&gt;People have been marveling at the entrepreneurship and creativity coming out of the place, which is due to the deep pool of talent and the emergence of a new &amp;#8220;can do&amp;#8221; attitude. &lt;br&gt;&lt;br&gt;In the last year or so, digital agencies &lt;a target="_blank" href="http://www.farfar.se/"&gt;Farfar&lt;/a&gt; and &lt;a target="_blank" href="http://www.northkingdom.com/"&gt;North Kingdom&lt;/a&gt; have been setting the world alight.&lt;br&gt;&lt;br&gt;&lt;a target="_blank" href="http://www.acne.se/"&gt;Acne&lt;/a&gt; is perhaps the godfather of this latest phase of Swedish creativity. &lt;br&gt;&lt;br&gt;It&amp;#8217;s a company that defies conventional wisdom, because it creates both products and communication in a variety of formats. &lt;br&gt;&lt;br&gt;The &amp;#8220;Factory-like&amp;#8221; collective is best known for its &lt;a target="_blank" href="http://www.bonmagazine.com/#/digital/video/77/230-Acne%20Jeans"&gt;Acne Jeans&lt;/a&gt; brand, was founded in 1996 by four friends, Jesper Kouthoofd, Thomas Skun Skoging, Mats Johansson and Jonny Johansson.&lt;br&gt;&lt;br&gt;Acne&amp;#8217;s empire now spans a film company, an ad agency, a web design company, a toy company and even a magazine. &lt;br&gt;&lt;br&gt;The jeans brand is the beacon of the group. It sets to the tone, the mood and the trends and helps build the connections and relationships for the rest of the company, but it also reacts and responds to what the other units are doing. Think of it as a dynamic feedback loop. The jeans brand has its own stores across Europe, including a flagship in Berlin and is sold in over 400 stores worldwide. &lt;br&gt;&lt;br&gt;The &lt;a target="_blank" href="www.acne.se/creative%20%20"&gt;ad agency &lt;/a&gt;has worked for MTV, Virgin and even a competitor to its jeans brand, H&amp;amp;M.&lt;br&gt;&lt;br&gt;&lt;a target="_blank" href="www.acne.se/film"&gt;Acne Film &lt;/a&gt;is a commercial production house and has created ads for the likes of Comcast, Dodge, Garmin and Nike. &amp;nbsp;&lt;br&gt;&lt;br&gt;The magazine, &lt;a target="_blank" href="acnepaper.com%20%20"&gt;Acne Paper&lt;/a&gt;, documents the worlds of creativity, fashion and style. &lt;br&gt;&lt;br&gt;&lt;a target="_blank" href="http://www.flickr.com/photos/edcotton/2172237030/" title="Acne Paper by ed100, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2282/2172237030_23f2b4dd68_o.jpg" alt="Acne Paper" height="473" width="350"&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;The digital agency, one of the newest ventures, has already worked for the likes of SAS, VW and Volvo. &lt;br&gt;&lt;br&gt;With ad agencies currently struggling to define themselves, their stragey appears limited to focusing on driving revenue by owning every element of the communication mix. &lt;br&gt;&lt;br&gt;Acne starts with creativity and ideas and works it out from there, a nightmare proposition for most senior agency management and holding company CFOs. However, perhaps the time is now right for new Acnes to emerge, led by individuals with limited or no real agency experience. &lt;br&gt;&lt;br&gt;It appears that Acne&amp;#8217;s secret is to leverage the cult of cool across a variety of different creative disciplines and areas. &lt;br&gt;&lt;br&gt;It&amp;#8217;s a concept that would be way too risky for most agencies to conceive because there&amp;#8217;s always an inherent concern for any brand trading on cool, how long can it last?&lt;br&gt;&amp;nbsp;&lt;br&gt;Here&amp;#8217;s how Acne explains its vision. &amp;nbsp;&lt;br&gt;&lt;br&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;When Acne was created in 1996 the initial idea was to build brands, own as well as others', within the fields of fashion, entertainment and technology. Although all members of the collective are independent entities acting in their own right in various fields of creativity, they all share the same vision and culture. This vision combines art and industry in equal measures, whether this is through clothing, film, printed matter or a global advertising campaign.&lt;/span&gt;&lt;br&gt;&lt;br&gt;Posted by Ed Cotton</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2008-01-06T16:13:34Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/1701/knowledge-is-power.html">
    <title>knowledge is power</title>
    <link>http://www.influxinsights.com/blog/article/1701/knowledge-is-power.html</link>
    <description>In the relentless quest to be cooler than everyone else, the world of the urban hipster has been slammed for some time and the "slamming" has become an industry in its own right. &lt;br&gt;&lt;br&gt;This t-shirt, &lt;a target="_blank" href="http://www.threadless.com/product/917/I_Listen_To_Bands#zoom"&gt;available for sale on Threadless&lt;/a&gt; sums up the irony perfectly. &lt;br&gt;&lt;br&gt;
&lt;a target="_blank" href="http://www.flickr.com/photos/edcotton/2110218173/" title="Cool by ed100, on Flickr"&gt;&lt;img src="http://farm3.static.flickr.com/2354/2110218173_c3d518af1a.jpg" alt="Cool" height="218" width="500"&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;The copy promoting the t-shirt is pretty good as well. &lt;br&gt;&lt;br&gt;&lt;b&gt;&lt;i&gt;"Is this type tee a badge of honor highlighting the wearer's unique
tastes in off-the-beaten-path music and other such awesomeness ignored
by mainstream culture, an ironic indictment of others who condemn you
for listening to a band once they sell fifty copies of their first
album, or just about having imaginary marching bands cascading through
your head at all times of the night and day? YES!"&lt;/i&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Posted by Ed Cotton</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2007-12-17T14:32:15Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/1694/zune-can-t-buy-cool.html">
    <title>zune can't buy cool</title>
    <link>http://www.influxinsights.com/blog/article/1694/zune-can-t-buy-cool.html</link>
    <description>Brand cool is an elusive thing. &lt;br&gt;&lt;br&gt;The coolest brands don&amp;#8217;t have to try hard because cool is part of their DNA, they are used by the right people and seem to find themselves in the right places. &lt;br&gt;&lt;br&gt;It&amp;#8217;s all so natural and seamless there&amp;#8217;s nothing forced about it. &lt;br&gt;&lt;br&gt;The brand just is. &lt;br&gt;&lt;br&gt;Then there are brands that try to buy cool. &lt;br&gt;&lt;br&gt;They force open the doors, offer everyone piles of cash and hope that the name association of other people&amp;#8217;s cool rubs off on the brand. &lt;br&gt;&lt;br&gt;Trying too hard to be cool makes you a pretender and a poser. &lt;br&gt;&lt;br&gt;The cool people won&amp;#8217;t find you interesting, they may show up to your parties and drink your free booze, but they won&amp;#8217;t use your product, &lt;br&gt;&lt;br&gt;In fact, you may find many of the free products you gave them, unused and still in their nice boxes in said cool people's desk drawers. &lt;br&gt;&lt;br&gt;&lt;span style="font-weight: bold;"&gt;Zune &lt;/span&gt;maybe doing some great stuff- cool, beautiful ads, great work with artists, fantastic parties, but it can&amp;#8217;t rely on others to make it interesting, it needs to be interesting itself. &lt;br&gt;&lt;br&gt;&lt;span style="font-weight: bold;"&gt;Zune&lt;/span&gt; can do this by &lt;span style="font-weight: bold;"&gt;doing&lt;/span&gt; some interesting and sadly we&amp;#8217;ve yet to see it, but&amp;#8230;&amp;#8230;.&lt;br&gt;&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Posted by Ed Cotton</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2007-12-05T03:43:43Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/1638/influx-quote-of-the-day--mark-parker-ceo-nike.html">
    <title>influx quote of the day- mark parker-ceo-nike</title>
    <link>http://www.influxinsights.com/blog/article/1638/influx-quote-of-the-day--mark-parker-ceo-nike.html</link>
    <description>&lt;i&gt;&lt;b&gt;"I have a personal interest in popular culture and the influence of culture on the consumer landscape.."&lt;/b&gt;&lt;/i&gt;&lt;br&gt;&lt;br&gt;Quoted in the &lt;a target="_blank" href="http://online.wsj.com/article/SB119317864699068959-email.html"&gt;Wall Street Journal today&lt;/a&gt;&lt;br&gt;&lt;br&gt;Posted by Ed Cotton</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2007-10-25T00:25:38Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/1497/is-you-next-ad-about-to-be-turned-into-a-product-.html">
    <title>is you next ad about to be turned into a product?</title>
    <link>http://www.influxinsights.com/blog/article/1497/is-you-next-ad-about-to-be-turned-into-a-product-.html</link>
    <description>In the last 24 months, we&amp;#8217;ve seen lots of brands try to recruit consumers to create ads on their behalf. &lt;br&gt;&lt;br&gt;However, what if you subvert and twist the system a little?&lt;br&gt;&lt;br&gt;We saw that with some negative ads created for Chevy&lt;br&gt;&lt;br&gt;What if you push further to a subverted consumer-created product?&lt;br&gt;&lt;br&gt;This is the case with the &lt;span style="font-weight: bold;"&gt;Prada Ironic Advertisment Wallet&lt;/span&gt;, created by a 17 year old girl and &lt;a&gt;sold on the Etsy website.&lt;/a&gt; 

&lt;a target="_blank" href="http://www.flickr.com/photos/edcotton/977256232/" title="Photo Sharing"&gt;&lt;img src="http://farm2.static.flickr.com/1336/977256232_b4c15787c6.jpg" alt="Wallet Made out of a Prada Ad" height="332" width="424"&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;Here&amp;#8217;s how she describes her merchandise.&lt;br&gt;&lt;br&gt;&amp;#8220;&lt;i&gt;&lt;b&gt;This wallet is ironic. Why, you ask? Well, the Prada image is an advertisement plucked from the very pages of VOGUE magazine -- yes, literally. Typically, an item with a brand as prestigious as Prada would be extremely expensive. Advertising feeds into this prestige and brand-name popularity. By taking the advertisement and -- rather than buying a Prada product -- turning it instead into a product in and of itself with that brand-name on it, we have succesfully usurped the entire silly Brand system. We have taken their advertising and turned it into a handcrafted, DIY duct-tape and paper wallet.&lt;br&gt;&lt;br&gt;The irony is that the product is a wallet.&lt;br&gt;&lt;br&gt;The owner of this wallet will hold his/her money in this fabulous, handmade wallet with the Prada brand name on it -- but although he/she touts this brand proudly, no money actually went to it.Instead it goes directly to the lovely maker of the wallet, me.&amp;#8221; &lt;/b&gt;&lt;/i&gt;&lt;br&gt;&lt;br&gt;Lia. Irony queen and brilliant anti-consumerism activist.&lt;br&gt;&lt;br&gt;OK, let's twist this back, what if you let consumers make their own versions of your products and get paid for it?&lt;br&gt;&lt;a target="_blank" href="http://www.bubblegeneration.com/"&gt;&lt;br&gt;Via Bubble Generation&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;Posted by Ed Cotton</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2007-08-01T15:18:37Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/1285/the-new-yorker-picks-up-on-parkour.html">
    <title>the new yorker picks up on parkour</title>
    <link>http://www.influxinsights.com/blog/article/1285/the-new-yorker-picks-up-on-parkour.html</link>
    <description>"Parkour, a made-up word, cousin to the French &lt;i&gt;parcours&lt;/i&gt;, which
means &amp;#8220;route,&amp;#8221; is a quasi commando system of leaps, vaults, rolls, and
landings designed to help a person avoid or surmount whatever lies in
his path&amp;#8212;a vocabulary, that is, to be employed in finding one&amp;#8217;s way
among obstacles. Parkour goes over walls, not around them; it takes the
stair rail, not the stairs."&lt;br&gt;&lt;a target="_blank" href="http://www.newyorker.com/reporting/2007/04/16/070416fa_fact_wilkinson"&gt;&lt;br&gt;&lt;b&gt;New Yorker&lt;/b&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;span style="font-weight: bold;"&gt;Most viewed YouTube Parkour video&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/uUksaD-JJgI"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/uUksaD-JJgI" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br&gt;&lt;br&gt;&lt;span style="font-weight: bold;"&gt;Old Nike spot featuring Parkour&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;object width="425" height="350"&gt;&lt;param name="movie" value="http://www.youtube.com/v/YpkSb04fA_4"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/YpkSb04fA_4" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br&gt;</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2007-06-14T14:17:17Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/1165/rethinking-gladwell-s-model-of-influence.html">
    <title>rethinking gladwell's model of influence</title>
    <link>http://www.influxinsights.com/blog/article/1165/rethinking-gladwell-s-model-of-influence.html</link>
    <description>&lt;A HREF="http://harvardbusinessonline.hbsp.harvard.edu/hbrsa/en/issue/0702/article/R0702A.jhtml#section1" target="_blank"&gt; Work by &lt;b&gt;Duncan Watts and Peter Dodds of Columbia University&lt;/b&gt; &lt;/A&gt; is turning one of marketing's unwritten laws and one of Malcolm Gladwell's pet theories  on its head. &lt;br&gt;&lt;br&gt;Their thinking has made &lt;b&gt;HBR's list of Breakthrough Ideas for 2007.&lt;/b&gt;&lt;br&gt;&lt;br&gt;For years, marketers have tried to identify and influence leading edge consumers who they believe have the power to influence others. &lt;br&gt;&lt;br&gt;It's the thought that ideas are spread by trickling down from the top of the pyramid; from niches to the mainstream. &lt;br&gt;&lt;br&gt;Dodds and Page believe ideas spread in a different manner.&lt;br&gt;&lt;br&gt;&lt;i&gt;"Understanding that trends in public opinion are driven not by a few influentials influencing everyone else but by many easily influenced people influencing one another should change how companies incorporate social influence into their marketing campaigns. Because the ultimate impact of any individual highly influential or not depends on decisions made by people one, two, or more steps away from her or him, word-of-mouth marketing strategies shouldn't focus on finding supposed influentials. Rather, marketing dollars might better be directed toward helping large numbers of ordinary people possibly with Web-based social networking tools to reach and influence others just like them."&lt;/i&gt;&lt;br&gt;&lt;br&gt;Obviously, it's the web and new social networks that change everything, they compress the gestation of an idea and often shortens its life. &lt;br&gt;&lt;br&gt;Dodds and Page's "easily influenced people, influencing each other", refers to the millions of people across the Long Tail. &lt;br&gt;&lt;br&gt;These people will determine the ultimate success of an idea, but it's important to recognize that they don't work entirely alone, but often in concert with specific influencers.  &lt;br&gt;&lt;br&gt;This is the thinking put forward by&lt;A HREF="http://darmano.typepad.com/logic_emotion/2006/08/influence_rippl_1.html" target="_blank"&gt; David Armano of Digitas, &lt;/a&gt; that makes a great deal of sense. &lt;br&gt;&lt;br&gt;The challenge for marketers is to understand the complexity implicit in this new model. It involves a thorough understanding of the online and offline landscape that you are launching your new idea into. &lt;br&gt;&lt;br&gt;Marketers need to look closely at the landscape to check if there are influencers and determine who they are and ensure the right tools are available to encourage everyone to help spread the idea. &lt;br&gt;&lt;br&gt;Gladwell's idea shouldn't be written off just yet, but it needs to be re-considered and blended with   the latest thinking by Armano, Watts and Dodds.</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2007-03-23T20:38:07Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/1155/the-new-generation-gap--communication-and-persona.html">
    <title>the new generation gap- communication and persona</title>
    <link>http://www.influxinsights.com/blog/article/1155/the-new-generation-gap--communication-and-persona.html</link>
    <description>If anyone is looking for a primer on the &lt;b&gt;generation gap between teens, twentysomethings and the 30pluses&lt;/b&gt;, they could do worse than read Emily Nussbaum well researched and amazingly comprehensive &lt;A HREF="http://nymag.com/news/features/27341"&gt;piece&lt;/A&gt; in this month's &lt;b&gt;New York Magazine.&lt;/b&gt;&lt;br&gt;&lt;br&gt;Emily highlights the &lt;b&gt;3 changes&lt;/b&gt; that define the generation gap.&lt;br&gt;&lt;br&gt;&lt;b&gt;1.	They think of themselves as having an audience&lt;/b&gt;&lt;br&gt;&lt;b&gt;2.	They have archived their adolescence&lt;/b&gt;&lt;br&gt;&lt;b&gt;3.	Their skin is thicker than yours&lt;/b&gt;&lt;br&gt;&lt;br&gt;She goes on to conclude:&lt;br&gt;&lt;br&gt;&lt;i&gt;"Right now the big question for anyone of my generation seems to be, endlessly, "Why would anyone do that?"This is not a meaningful question for a 16-year-old. The benefits are obvious: The public life is fun. It's creative. It's where their friends are. It's theater, but it's also community: In this linked, logged world, you have a place to think out loud and be listened to, to meet strangers and go deeper with friends. And, yes, there are all sorts of crappy side effects: the passive-aggressive drama ("you know who you are!"), the shaming outbursts, the chill a person can feel in cyberspace on a particularly bad day. There are lousy side effects of most social changes (see feminism, democracy, the creation of the interstate highway system). But the real question is, as with any revolution, which side are you on?"&lt;/I&gt;</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2007-03-23T20:38:07Z</dc:date>
  </item>
  <item rdf:about="http://www.influxinsights.com/blog/article/1098/take-a-cultural-tour--it-could-save-your-job.html">
    <title>take a cultural tour- it could save your job</title>
    <link>http://www.influxinsights.com/blog/article/1098/take-a-cultural-tour--it-could-save-your-job.html</link>
    <description>Last September, Grant McCracken&lt;A HREF="http://www.cultureby.com/trilogy/2006/09/advent_of_an_er.html"&gt; wrote a great piece on the dismissal &lt;/A&gt; of MTV's Mr. Freston by Viacom's head honcho, Mr.Redstone. &lt;br&gt;&lt;br&gt;McCracken's thesis was Freston was fired because he wasn't sufficiently in-tune with contemporary culture.&lt;br&gt;&lt;br&gt;Others speculated it was because he failed to buy MySpace, which is the same sort of the thing.&lt;br&gt;&lt;br&gt;If anyone is scared about being fired because they don't know the wonders of WOW (World of Warcraft) or Second Life, they should fret no longer, because there's a virtual tour agency ready to take you around both these worlds. &lt;br&gt;&lt;br&gt;So the next time your youngest employee asks you about these new environments, you can sound like you know what you are talking about. &lt;br&gt;&lt;br&gt;&lt;A HREF="http://www.synthravels.com/guides/?lang=en "&gt;Synthtravels,&lt;/A&gt; has tours available for both Second Life and World of Warcraft and they have avatars ready and waiting to show around. Quite where they take you, we aren't yet sure, but we plan to take a tour and report back. &lt;br&gt;&lt;br&gt;Anyway, it's a smart idea and there should be other tour guides taking the uninitiated round the worlds of Digg, MySpace, Facebook, Flickr and Delicious. &lt;br&gt;&lt;br&gt;At Influx, we offer this kind of service, but for the real world. Influx's unit &lt;A HREF="http://www.emergetrends.com "&gt; EMERGE&lt;/A&gt; runs what it calls "cultural tours", where it takes brand teams out to meet with the faces and places that comprise emerging culture. &lt;br&gt;&lt;br&gt;If you are interested in doing this anywhere in the world, please let us know and we will help you out .&lt;br&gt;&lt;br&gt;If we were smart, we would be adding virtual world tours to EMERGE's list.</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2007-03-23T20:38:07Z</dc:date>
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  <item rdf:about="http://www.influxinsights.com/blog/article/1071/recent-stories-on-emerging-trends.html">
    <title>recent stories on emerging trends</title>
    <link>http://www.influxinsights.com/blog/article/1071/recent-stories-on-emerging-trends.html</link>
    <description>Listed below are links to some of the most recent posts over at our sister blog, Emerge Trends. &lt;br&gt;&lt;br&gt;&lt;b&gt;EMERGE&lt;/b&gt; provides custom trend reporting, cultural tours, bespoke research and strategic advisory services to help clients and agencies connect with emerging culture. &lt;br&gt;&lt;br&gt;For more details on &lt;b&gt;EMERGE's&lt;/b&gt; services, please contact James Friedman, email &lt;b&gt;jfriedman@bssp.com&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;A HREF="http://www.emergetrends.com/index.php?id=269 "&gt; six of 2006: Music- Emerge's music picks from 2006&lt;/A&gt; &lt;br&gt;&lt;br&gt;&lt;A HREF="http://www.emergetrends.com/index.php?id=267"&gt; interview with the founder of Socialight- a service bringing social networking to mobile phones &lt;/A&gt; &lt;br&gt;&lt;br&gt;&lt;A HREF="http://www.emergetrends.com/index.php?id=268"&gt; six of 2006: film- Emerge's film picks of the year&lt;/A&gt; &lt;br&gt;&lt;br&gt;&lt;A HREF="http://www.emergetrends.com/index.php?id=266 "&gt; blip festival-review of the recent 8-bit music and art festival &lt;/A&gt; &lt;br&gt;&lt;br&gt;&lt;A HREF="http://www.emergetrends.com/index.php?id=264"&gt; review of a the Journal- a new magazine &lt;/A&gt; &lt;br&gt;&lt;br&gt;&lt;A HREF="http://www.emergetrends.com/index.php?id=265 "&gt; nme makes a mess of its cool list&lt;/A&gt; &lt;br&gt;&lt;br&gt;&lt;A HREF="http://www.emergetrends.com/index.php?id=263"&gt; gotta love Arcade Fire- the Canadian bands teams up with Bono's RED&lt;/A&gt; &lt;br&gt;&lt;br&gt;&lt;A HREF="http://www.emergetrends.com/index.php?id=262  "&gt; has sneaker fanaticism gone too mainstream?&lt;/A&gt; &lt;br&gt;&lt;br&gt;&lt;A HREF="http://www.emergetrends.com/index.php?id=261"&gt; a profile of UVA- the cutting edge London-based artists collective&lt;/A&gt; &lt;br&gt;&lt;br&gt;&lt;A HREF="http://www.emergetrends.com/index.php?id=260"&gt; a review of foundations- a new documentary the explores the new york art scene in the 70s and 80s&lt;/A&gt;</description>
    <dc:creator>Influx Insights</dc:creator>
    <dc:date>2007-03-23T20:38:07Z</dc:date>
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